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Seeing more of the city

Japan day three


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In Hamarikyu Gardens

We spent the following day in Tokyo exploring in part with our Inside Japan group and in part on our own, setting the pattern for the rest of this very flexible tour. Most of us left the hotel together after breakfast and walked with Andrew in the direction of the Senso-ji Temple which Chris and I had already visited on our first afternoon in the city. We were happy to return however, as on that occasion our weariness from the journey had meant that we had missed seeing, and photographing, some parts, including the Asakusa Jinja or Sanja Sama (Shrine of the Three Guardians).

It was interesting too, to hear Andrew’s commentary on the sights. While the role of tour leader on an Inside Japan tour is rather different from that of guide (you are warned that he/she is there to help with logistics rather than provide detailed information on history etc.), having lived in Tokyo for some time he was very familiar with the temple and could tell us quite a bit about it to supplement our own reading. It was he who told me, for instance, about the practice of tying an unappealing fortune to a frame to cancel it out!

The Asahi Flame

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The Asahi Flame

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The Asahi Flame

From the temple we walked east towards the Sumida River. Here we had a good view of the Asahi Flame. Apparently the building it sits on was designed to look like a beer glass, as it is one of a small complex housing the headquarters of the Asahi Breweries. But very few people look at the building itself as the eye is inevitably drawn to the structure on its top. The Asahi Flame is said to represent both the ‘burning heart of Asahi beer’ and the frothy head to be found on a glass of it. Unfortunately (or perhaps fortunately, if the company was looking to get noticed and talked about!), the thing that most people consider it resembles is rather more prosaic. Hence its nickname, ‘the golden turd’ or kin no unko!

The flame is hollow but still manages to weigh 360 tonnes. It was designed by the prominent French designer, Philippe Stark, and apparently made using submarine construction techniques. I read somewhere that it was originally intended to stand upright but that this proved impossible to achieve; that may be an urban myth, however, as I haven’t been able to find it substantiated anywhere. Whatever the truth of it, it certainly can’t fail to attract attention and must be one of the most photographed modern buildings in this part of the city.

The building to its left, by the way, is meant to resemble a giant beer jug complete with a foam shaped white roof. I’m not sure it achieves that, but at least it doesn’t remind me of anything else! The complex is built on the site where Asahi started brewing beer over 100 years ago, and although we didn’t go any closer than these photos suggest, you can visit bars and restaurants here to enjoy some of that beer.

Sumida River cruise

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Sumida River boat

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On the Sumida River
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Tokyo Tower seen from the boat

Reaching the river we boarded a boat for a short ‘cruise’ to Hamarikyu Gardens. The ride took about 45 minutes to journey down river. As we travelled we had a commentary in both Japanese and English which seemed mainly to be about the various bridges we passed under (12 of the 26 in total that span this river in the city), but as the volume was set quite low on the English version and there was lots of chatter on the nearly full boat, I may have missed some bits.

We didn’t see much in the way of views of famous landmarks and historic sights on this trip, apart from a glimpse of the Tokyo Tower through the haze, but it was interesting to observe life beside the river. There were some modern apartment complexes and some nicely landscaped green areas where people were jogging or simply relaxing (it was a Sunday morning). Just before arriving at Hamarikyu there was one other famous sight, the Tokyo Fish Market, although this was silent and inactive by the time we sailed past (mid-morning). We then turned into an inlet to moor at the gardens’ dedicated pier.

Hamarikyu Gardens

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In Hamarikyu Gardens

I was really pleased that on our first morning of the tour we were able to visit these traditional Japanese gardens in the heart of modern Tokyo. The gardens were originally built as part of the Tokyo residence of the Tokugawa Shogun during the Edo Period (1603-1867). They are of the ‘strolling gardens’ style – large gardens with ponds, islands and artificial hills that could be enjoyed from a variety of viewpoints along a circular trail. They were first laid out in 1654 by the brother of the fourth shogun who had part of the Sumida River shallows filled in and built a residence on the land thus reclaimed, with strolling gardens and duck hunting grounds by the river. Over time various shoguns made changes and developed the garden, and it was finally finished under the 11th and has remained more or less the same since then. After the Meiji Revolution the residence became a so-called Detached Palace for the Imperial family. It and the gardens were badly damaged in the air raids of World War Two and after the war the gardens were given to the people of Tokyo and reconstructed, opening to the public in 1952.

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In Hamarikyu Gardens

So today the gardens retain much of their original appearance despite serving more as city centre park than anything else. For instance, there are several reconstructed duck hunting blinds and you can still see the remains of an old moat. There is even a ‘duck grave’ created in 1935 to console the spirits of the ducks that were once killed here.

One style often employed in these traditional gardens was known as ‘borrowed scenery’; in this, surrounding scenery was incorporated into a garden’s composition. Of course today the surrounding scenery is of city skyscrapers but for me the contrast they create only served to emphasise the tranquillity of this green haven.

As I explored I found it hard to believe that every hill here is artificial – it all looks very natural. The pool at the centre of the gardens is an obvious focal point and is very pretty, with some traditional looking bridges, lovely trees and a teahouse on a small island.

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Nakajima Teahouse

This is the Nakajima Teahouse, and as we didn’t get to attend a full tea ceremony while in Japan, I was pleased that we had the chance to drink tea here. Our visit included many of the main elements of a traditional ceremony – the formal offering of the tea (though the preparation was done elsewhere), the style of the utensils, the accompanying sweetmeats and the detailed instructions on how to drink our tea.

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In the tea house

The Japanese Tea Ceremony is a very prescribed ritual for the ceremonial preparation and offering to guests of matcha, or powdered green tea. It has its origins in Chinese traditions and in Zen thinking. There is a specific order to the events, and responsibilities for both host and guests to follow the particular actions laid down by tradition, from arrival, through the preparation and drinking of the tea, and the clearing away of the (often very precious) utensils.

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Matcha and sweets

For us, drinking matcha here, there were only a few suggested rules. These involved eating the sweets before drinking the tea, as the sweetness is intended to counteract the bitterness of the tea (I’m afraid I disobeyed and ate part before, part after); and holding the bowl in a particular fashion, turning it a quarter turn before drinking. This latter custom relates to the sharing of a single bowl in some parts of a traditional ceremony I believe.

Matcha is rather different to regular green tea and is something of an acquired taste I suspect. For me it was a bit like I imagine drinking grass would be, were that possible! It was certainly interesting to try it, and the traditional setting and sense of occasion made for a great experience which I can certainly recommend even if you aren't too keen on the drink itself.

Elsewhere in the gardens one of my favourite spots was on the north side where a large area is devoted to a sort of wild flower meadow, the Flower Field, which changes with the seasons. When we were there in early October it was the turn of the autumn planting of cosmos – beautiful!

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The Flower Field, and statue of Umashimadenomikoto

Umashimadenomikoto was the god of war. According to a sign next to the statue, it won a contest organised by the former Ministry of War to celebrate the silver wedding anniversary of the Emperor Meiji in 1894.

Other features include a peony garden and wisteria trellises (sadly we were here too late in the year for these), a 300 year old pine that has needed to be considerably propped up (said to have been planted by the sixth Shogun in the 17th century and apparently the biggest pine tree in Tokyo), and several pavilions. I loved my time taking photos here and could happily have spent longer, were there not so much more to be seen in this amazing city!

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300 year old pine

Shiodome

After our relaxing time in the Hamarikyu Gardens we emerged on to the busy streets of the Shiodome area of the city. It was a Sunday however, so while there was a lot of passing traffic, the precincts around the skyscrapers were for the most part eerily quiet – very much like visiting the City of London on a Sunday, I thought.

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In Shiodome

Shiodome is a very recent development (2002) and it shows. The glitzy modern towers accommodate offices, shops, cafés, restaurants, etc. etc. They are separated by elevated walkways and footbridges that allow pedestrians to stroll undisturbed by city traffic. It is all slightly reminiscent of Blade Runner. But Shiodome wasn’t always like this, naturally. The clue is in the name – Shiodome literally means ‘halt the tides’. This was at one time a tidal marshland which separated the Imperial Palace from Tokyo Bay. During the Edo Period (1603-1867) the marshes were dried out and developed into residential land for feudal lords. Later this became the site of Shimbashi Station, the Tokyo terminus of Japan's first railway line. When the railway tracks were later extended to Tokyo Station, Shimbashi was moved to its current location a little to the west, and the Shiodome area was converted into a freight yard. It remained like this into the 1980s when the yard was demolished to clear the site for the development we see today.

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Plastic pub food

We only passed through the area on our way to Shimbashi Station, but there was time to stop for photos and to get a bit of a sense of what was here. Some of the bars and restaurants looked good and seemed popular as a Sunday lunch destination with locals. I spotted a very incongruous-looking bar that styled itself a Victorian pub, the Rose and Crown, but which could not have looked less Victorian, or less English – at the foot of a modern skyscraper block and with a typically Japanese display of plastic food to tempt you into its equally plastic interior!

One sight worth looking out for here is the amazing clock on the side of the Nippon Television Tower. Its official name is the ‘NI-TELE Really BIG Clock’ (yes, really!) and it was created by a famous manga artist and anime director Hayao Miyazaki over a period of four years.

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The NI-TELE Really BIG Clock

Its design reflects his enthusiasm for what is known as ‘steampunk’, a term coined in April 1987 by the American writer Kevin Wayne Jeter. He defined it as a sub-genre of science fiction, alternate history and speculative fiction characterized by worlds which use all kind of steam-powered machines, from trains to airplanes and even computers. In addition to steampunk stories and movies, fans of the genre have created real-life steampunk objects, some of them totally functional, and this is apparently one of the best-known examples, though I had never heard of any of this when I was brought up short by the sight as we passed by. The clock is made mainly of copper and lives up to its ‘Really BIG’ name, being ten metres tall and 18 wide. At certain times of day its 32 mechanical scenes come to life – the various human-like robot figures spin wheels, turn levers, work the smithy and perform other operations. But unfortunately, our timing was wrong for seeing this all happen, so I can only go by what I have since read when I say it must be quite a sight. If you want to time your visit better than we did, the ‘show’ happens at 12:00, 15:00, 18:00 and 20:00 every day of the week, with an additional performance at 10:00 on a Saturday and Sunday. The show starts 3 minutes and 45 seconds before each hour so get there a bit early!

From Shimbashi station we took the subway to Harajuku on the JR Yamanote line. Here our group split up, with Andrew going off to collect our JR Passes for tomorrow, when we would be leaving Tokyo to start our journey around Honshu Island, and the rest of us fanning out to explore on our own or in smaller groups.

Takeshita Dori

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Entrance to Takeshita Dori

Harajuku is known as a focal point for some of Japan's most extreme teenage cultures and fashion styles, and Takeshita Dori is the epitome of this. Its narrow pedestrians-only (thankfully!) length is lined with uber-trendy clothes shops interspersed with the kind of refreshment stops likely to appeal to its mainly teenage market. This is a great place to come, and in particular on a Sunday, if you want to see Tokyo’s youth at play.

The most eccentric and colourful fashions will be those of the so-called ‘cosplay’ aficionados, cosplay being short for costume play, in which fans of animė, manga etc. dress in the costumes of favourite characters. While this started as a practice for fan conventions and similar gatherings, today it has extended into life on the streets and the range of costumes widened. As well as these costumes you’re likely to see Goth, punk and many other styles – often several combined in the one outfit! And the shop windows of course display fashions in the same vein. I wasn’t surprised to read later that Lady Gaga apparently shops in at least one of these!

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On Takeshita Dori

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Shop window, Takeshita Dori

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A face in the crowd, Takeshita Dori

Chris and I squeezed ourselves into the crush of people walking along Takeshita Dori and wove our way between them. The shops here are mainly independent ones, clearly targeted at the young people who flock here to shop for cute accessories and the latest fashions, but there are one or two chains among them, including 7-Eleven and McDonalds for refreshment breaks. We wanted something more Japanese than the latter so, despite feeling a little out of place in this youthful crowd, decided on lunch at the Caffe Solare which had both Western and Japanese light meals (I had a great toasted sandwich with avocado and cheese – so not so Japanese after all maybe!) We managed to get a table by an upstairs window which gave us a great vantage point from which to watch the passing crowds.

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Shopping on Takeshita Dori

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In the Caffe Solare

After lunch we walked a little further down the street and grabbed some more photos. But we are clearly not in the target market for these shops, so relatively soon we retraced our steps and crossed the road by Harajuku station to enter Yoyogi Park.

Meiji Jingu

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Meiji Jingu: torii gate

The main draw in Yoyogi Park is the Shinto shrine dedicated to the deified spirits of Emperor Meiji and his wife, Empress Shōken. It was originally built between 1915 and 1921 but was destroyed in the Tokyo air raids of World War Two, so what we see today is the 1950s reconstruction.

Emperor Meiji was born in 1852 and ascended to the throne in 1867 as the first emperor of modern Japan. His accession brought an end to the feudal shogun era and ushered in a period known as the Meiji Restoration, during which Japan modernised and westernised herself to join the world's major powers. This shrine celebrates that achievement so is a significant place in the country’s history and sense of itself.

The shrine is surrounded by an evergreen forest that consists of 120,000 trees of 365 different species, by people from all over the country. We strolled through these trees along wide paths, following the crowds of both Japanese visitors and tourists. The first thing we saw was a large number of sake barrels displayed by the side of the path. These are offered every year by sake brewers from around the country to show their respect for the souls of the Emperor and Empress in recognition of the encouragement given to the growth of this and other industries under the Meiji Restoration.

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Sake barrels

Near here we passed through the first of several torii or shrine gates. This one is the biggest of its style (known as Myojin) in the country – 12 metres high with a 17 metre cross piece spanning its 1.2 metre wide pillars. It was made from 1,500 year old Japanese cypress or hinoki in 1970 and is an exact replica of the 1920 original.

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Torii at Meiji Jingu

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Part of the main complex

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The temizuya

Passing beneath this the path continued to the main shrine which we entered beneath another torii. Just before this on the left is the temizuya or font where the faithful purify themselves before entering the shrine.

Once inside we found ourselves in a large courtyard surrounded by several buildings and with the shrine itself in front of us. People were milling about, and there were amulets for sale and prayer plaques, known as ema, on which people were writing prayers and wishes before leaving them hanging for the spirits to read. Around two sides of this courtyard we saw hundreds of dolls and soft toys lined up in rows, with more being added even as we looked. I wasn’t sure whether these are given in gratitude for prayers answered or as offerings to ensure a positive response to entreaties.

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The ema or prayer plaques

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Soft toys and dolls

Perhaps because it was a Sunday, we were lucky enough to see several weddings in progress while we were here, and no one seemed to mind us watching and taking photos. The bride in the photo below had an especially beautifully embroidered white kimono and a striking headdress, but all were lovely.

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Wedding procession

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Wedding photo

After some time wandering around and taking in the sights I was a bit weary and wanted to rest. We sat on the steps near the entrance but were asked to get up – this is sacred ground and it seems sitting on it is not allowed. So we headed back to the visitor centre area beyond the outer torii. Here there is a self-service café selling light meals and drinks, a restaurant, shop and also a treasure house where you can see personal belongings of the Emperor and Empress, including the carriage which the emperor rode to the formal declaration of the Meiji Constitution in 1889. We decided to skip the treasure house however, as time was getting on, so after a cold drink we headed back to our hotel to rest up for a while before dinner.

The Asakusa Grill Burg

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The Asakusa Grill Burg
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Burger with egg

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In the Asakusa Grill Burg

In the evening we decided to try the Asakusa Grill Burg restaurant, almost opposite our hotel on Kokusai Dori. The menu (there was a single English one, which we had to wait to see) suggested a fusion of Western and Japanese cooking styles, which we thought might be interesting. The decor appealed to us too, with an interesting mix of art work displayed on the walls.

To start with we shared some crudités, and for mains both chose burgers with cheese and egg topping and soy sauce with wasabi. These came with a few vegetables (including bean sprouts and broccoli) and rice. We drank two small, draft Asahi beers each. The meal was OK although nothing special, but the beers were good and the service friendly, with a little English spoken, so we had a good evening.

The next morning we were to leave Tokyo after breakfast, but return eleven days later to a very different part of the city.

But that is for a future entry!

Posted by ToonSarah 08:06 Archived in Japan Tagged skylines people tokyo shrines parks architecture flowers japan culture temple restaurants city garden customs street_photography Comments (6)

Ancient and modern collide

Japan day nine


View Japan, Essential Honshu tour 2013 on ToonSarah's travel map.

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Breakfast at the Ryokan Heianbo

On our second day in Kyoto we had breakfast at the ryokan – a traditional Japanese one served on a tray with items such as tofu with wasabi, some noodles, pickles and seaweed. Miso soup and rice were served separately, as was green tea. I was pleased to see the yoghurt and small pieces of fruit, and also the coffee available from a machine in the lobby.

Andrew had again offered to lead an outing, an offer that several in the group accepted, but Chris and I decided on a day exploring by ourselves. We headed for the Central Bus Station (right opposite the railway station), which we found to be well-organised and signposted. We took a 73 from there to Arashiyama. The journey lasted about 45 minutes and cost 240¥ per person. We had already observed in Hakone the Japanese bus ticketing system. You take a ticket on boarding and pay as you exit, according to the distance travelled – the fare for your stop is displayed on a screen above the driver. The bus stops for major sights in the city were announced in English but those likely to be of interest only to locals were not. We figured, correctly, that there was no reason to worry about missing our stop – if the announcement is in Japanese only, you can be pretty sure this isn't yours!

Arashiyama

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Fisherman in Arashiyama

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Cormorants on the Hozu River

We got off the bus near the bridge over the Hozu River (also often called the Katsura) in Arashiyama, not far from the station. The Hozu was in the past used to transport logs for the construction of many of Kyoto’s temples, and for Osaka’s castle. During the Edo Period it also carried grain, firewood and other cargo, but trains and road haulage made river transport obsolete, and operations ceased after several hundred years of use.

There were quite a few cormorants on the rocks in the water, and we spotted a lone fisherman apparently making his way home. We waited a while hoping that he would cast his traditional net but it seemed fishing was over for the morning and we waited in vain.

We soon left the river and started our explorations of this fascinating corner of the city. There is so much to see in Arashiyama that you could easily spend all day here, but we had decided on just a morning, with the afternoon reserved for some other must-see sights on my wish-list. So the plan was to focus on two sights in the area, the famous bamboo grove but before that another temple.

Tenryu-ji Temple

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Temple roof, Tenryu-ji

Tenryu-ji Temple is one of the most important Zen temples in Kyoto and is registered as a UNESCO World Heritage Site. It was built in 1339 by the ruling shogun Ashikaga Takauji, who dedicated it to his predecessor, the Emperor Go-Daigo. These two were formerly allies but Takauji turned against the emperor in his struggle for supremacy over Japan. By building the temple, Takauji intended to appease the former emperor's spirits. Many of the temple buildings were repeatedly lost in fires and wars over the centuries, and most of the current halls date from the relatively recent Meiji Period (1868-1912).

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Tenryu-ji Temple from the garden

The main reason we came to Tenryu-ji was to see its gardens, which was just as well, as at the time of our visit its main halls were being renovated and it is not possible to go inside. But in any case, the gardens are considered the main draw here (they are designated as a Special Place of Scenic Beauty), and were among the loveliest we saw in Japan, I thought. Unlike the buildings they have survived unchanged through the centuries. At their heart, immediately in front of one of the main buildings, is a beautiful pond, Sogen Pond. Various rocks are artfully placed in and around the water to look completely natural (in a technique known as ishigumi, literally ‘arranged rocks’), and large carp swim in the water. When we were here, in mid October, a few trees’ leaves were just turning into their bright autumn colours. Paths meandered among the trees past a number of little shrines and sculptures which are dotted around. This style of garden is known as a chisen-kaiyu-shiki or pond-stroll garden, which sums it up perfectly.

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The garden at Tenryu-ji

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The 'dry waterfall', Tenryu-ji

Lying just south of the famous Bamboo Grove of Arashiyama, Tenryu-ji also has its own small area of bamboo just inside the north gate, with more paths weaving through it. Find a quiet one and you can really absorb the strange sounds and atmosphere of this surreal-looking plant.

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Bamboo at Tenryu-ji

The forested Mount Arashiyama and Mount Kameyama to the west form an attractive background to the garden. This is an excellent example of the Japanese garden design technique, shakkei, usually translated as ‘borrowed scenery’. In this, the garden is designed in such a way that the surrounding scenery provides a background that complements and enhances the ambiance. Thus, the garden can be placed near an old forest or in front of an important landmark, such as a temple or a castle. But most frequently the garden designers used nearby hills or mountains, as here at Tenryu-ji.

Despite being busy, this temple felt quite peaceful compared to some others that we visited – perhaps the closure of its main buildings had kept some visitors away.

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In the garden at Tenryu-ji

We spent some time enjoying our surroundings before exiting from the north gate to visit the nearby Bamboo Grove.

In the Bamboo Grove

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On the path through the Bamboo Grove

The famous Bamboo Grove of Arashiyama lies just to the north of Tenryu-ji Temple. The bamboo has been used to manufacture various products, such as baskets, cups, boxes and mats at local workshops for centuries. Many visitors to Kyoto come here simply to see this grove, and it can get busy on the main path, as we found. I have seen pictures showing an empty path winding through the tall stems of bamboo, but if such a path exists, we didn’t find it, and I actually found the bamboo within the gardens of Tenryū-ji to have more atmosphere. But here it was fun to share the walk with lots of excited Japanese visitors, many of the girls in kimono, though we had to be quick at times to jump out of the path of the rickshaws that hurtled past, carrying more of these visitors!

Nevertheless it was quiet enough in places for us to be able to enjoy listening to the strange sounds the bamboo made whenever a breeze blew through the grove (it must be amazing on a windy day). But most of all I loved photographing the bamboo and trying to do justice to its subtle tones and geometric shapes.

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In the Bamboo Grove of Arashiyama

Nonomiya Shrine

Strolling back to the main road of Arashiyama from the Bamboo Grove our attention was caught by some pictures on the fence to our left of a shrine and wooded garden. We turned in to investigate and found ourselves in a small shrine tucked among the trees. There was no entry gate and no admission fee – this seemed to be more a place of worship than a tourist sight, though it was crowded with Japanese visitors doing a bit of both. We made the suggested donation of 100¥ for a small leaflet (all in Japanese but with pretty pictures) and also threw some coins into a bowl at the shrine. We strolled around taking photos (as everywhere in Japan we found that the locals had no concerns about us doing so) and admired the pretty moss garden in particular. Later, back home, I read up all about our ‘discovery’.

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At Nonomiya Shrine

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Miniature garden at Nonomiya Shrine

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Young women at the shrine

Nonomiya literally means a ‘field palace’ and there were once several shrines with this name, each of which served the same purpose. In the past there was a custom for one of the Imperial princesses to be selected to serve the god of Ise-jingu, the most sacred Shinto Shrine, where only a relative of the Japanese Imperial family could be a high priest or priestess. Once selected, she would undergo a one year period of purification inside the Imperial Palace, and would then move to the Nonomiya-jinja for a further three years of purification. Only after this long period was she able to go to Ise-jingu.

Several gods are enshrined at Nonomiya. One of them is a god of marriage and another is a god of an easy delivery. It is no doubt to these gods that the many young women we saw here were praying.

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At Nonomiya Shrine

With more time to spare in Kyoto I would have happily spent a whole day in Arashiyama, but there were other sights on my must-see list and so, somewhat regretfully, we left around lunch time. We headed to the smaller of the two stations that serve this district and stopped there for ice-creams (including an unusual sesame seed one) before catching the useful Randen Railway, with its little trains that are more like trams, to travel from here to Ryoanji-michi, changing at Katabiranotsuji.

When we got off the train at Ryoanji-michi we found that we had to walk through some residential streets for about 10/12 minutes or so in order to reach the main road. For us, on our first visit to Japan, everything was interesting. The first stretch led along a street of local shops, and then through a more residential area. Several of the houses had small private shrines in their front gardens, and many of the gardens were very nicely designed and immaculately kept, though small.

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In the back streets of Kyoto

Ryoan-ji Temple

I am fascinated by the different forms of Japanese garden design and wanted to see as varied a sample as possible in our limited time in Kyoto. I read about the famous Zen garden at Ryoan-ji Temple and knew it would give us a different perspective on this ancient art. And so it did.

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This style of garden dates from a period in Japanese history when interest in Zen Buddhism was at its height, in the late 14th-16th centuries. At this time gardens became smaller, simpler and more minimalist, but most retained many of the same elements as before, including ponds, islands, bridges and waterfalls. However, an extremely minimalist version emerged, the Karesansui dry garden, which uses nothing but rocks, gravel and sand to represent all the elements of the landscape. This example at Ryoan-ji is one of the most famous in the country.

It is rectangular in shape, enclosed by a clay wall. Arranged within it are fifteen stones of different sizes, composed in five groups: one group of five stones, two groups of three, and two groups of two stones. These stones are surrounded by white gravel which is carefully raked each day by the monks. The only vegetation is some moss surrounding each group of stones. The garden is intended to be viewed from a seated position on the veranda of the hojo, the pavilion that serves as the residence of the head priest.

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At first glance it may seem random, though elegant in its design. But everything is very deliberate. The stones are placed in such a way that it is impossible to see the entire composition at once from the veranda. They are also arranged so that when looking at the garden from any angle (other than from above) only fourteen are visible at a time. Tradition holds that only through attaining enlightenment could a person view all fifteen.

And the wall too is part of the design. The clay has been mixed with rapeseed oil to give these brown and rust-coloured tones, intended to set off the whiteness of the gravel by absorbing light, and to create a neutral background that focuses attention on the stones.

It isn’t known who designed this garden, and although there are many theories, no one can say for sure what it is intended to represent.

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Some say it is an abstraction of a tiger and her cubs crossing a river, but that appears to refer to an earlier version of the garden that had only nine stones. Some say these are small islands in the ocean, or mountain peaks emerging through a sea of cloud. Others have suggested that the arrangement of the rocks relates to the character for ‘heart’ or that there is some hidden geometry behind them. It is probably best to simply accept that they are as they are because someone wanted them to look exactly like this, rather than minimise their potential impact by straining to find an unintended meaning.

You cannot go inside the pavilion here but instead walk around its veranda (shoes off, naturally) to view the famous garden from a platform. Be warned – this is a popular spot and you may need to wait your turn to view it from a perch at the edge. While you wait you can peer inside to see the beautifully painted screens.

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The pavilion at Ryoan-ji

On the far side of the pavilion (that is, away from the garden) the building is surrounded by trees and moss, and there is a famous stone washbasin known as Tsukubai, which is said to have been contributed by Tokugawa Mitsukuni in the 17th century. It bears a simple but profound four-character Zen inscription: ‘I learn only to be contented’.

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'I learn only to be contented'

Ryoan-ji Gardens

When we’d walked right round the pavilion we went on to explore the rest of the gardens here. Although Ryoan-ji Temple is best known for its Zen dry garden, there is much more to it than that. It has a pretty pond garden which is also well worth exploring, its lush greenery all the more refreshing as a contrast to the white gravel and bare rocks of the former. This is Kyoyochi Pond, built in the 12th century when this site still served as an aristocrat's villa. There are large carp, white ducks and (when we were there in mid October) pink water lilies.

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Kyoyochi Pond

The path round the pond leads past the small stone bridge that will take you on to the islet with a little torii gate and shrine, and past a large stone Buddha statue.

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In the gardens of Ryoan-ji Temple

The leaves were just starting to turn when we were here, adding to the beauty of the scene. Towards the end of our walk we came across a small café where we sat outside and had one of the most refreshing drinks I’ve come across – a sort of lemonade with a blob of what tasted like marmalade in the bottom of the glass. I don’t know what this was called – a waiter with limited English helped us to order from the ‘pay first and take a slip’ machine, and all we knew for sure was that we were ordering a cold drink that wasn’t cola! We sat outside on shady benches and enjoyed a pleasant rest before heading off to our last temple for the day.

Kinkaku-ji

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Kinkaku-ji: the Golden Pavilion

Some sights are so much talked about and so often visited that you wonder if they can really be that wonderful. The Golden Pavilion is one such sight – and yes, it really is that wonderful. You will have to share it with many other people, but don’t let the thought of the crowds that flock here put you off. This place is a stunner and popular for good reason. I had seen advice that you should go first thing to avoid the crowds but we couldn’t manage that on our tight Kyoto schedule and in any case I'm not sure the light would be so good then. We were here around 4.00 PM and at that time the temple was beautifully lit by the late afternoon sun. I reckon whatever time you go you’ll probably have to just put up with the crowds if you want to see it, and see it you should.

The ‘proper’ name for this temple is Rokuon-ji or Deer Garden Temple, but no one seems to call it that. This is for sure the Temple of the Golden Pavilion, Kinkaku-ji – no other name would suit it half as well. And no number of previously seen photos can prepare you for the sight that greets you when you arrive at the edge of the pond here and gaze across at the pavilion reflected in its waters. When you succeed in making your way to the shoreline the jostling of the crowd will fade away and you will be spell-bound – especially if, like us, you are fortunate enough to be able to see it in bright sunlight.

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First view of Kinkaku-ji

Like many of Kyoto’s temples, this was originally the site of a private villa, but it was converted to a Zen temple at the very start of the 15th century by the son of Shogun Ashikaga Yoshimitsu, as a memorial to his father. Most of the buildings were lost in the Onin War later the same century, apart from the pavilion which survived. But in 1950 it too was lost, burned down by a novice monk, who tried to commit suicide as a result of what he had done. It was rebuilt in 1955 and that is the building we see today, a close copy of the original.

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Kinkaku-ji reflected

You can’t go inside the pavilion, only admire from outside, although a display panel does show some photos of the interior. This is unusual in that each floor has a different style. The top floor is a Zen meditation hall, built in Karayo style or Zen temple style. It is called Kukkyo-cho and its interior walls are also gilded. The middle floor is a hall dedicated to Kannon Bodhisattva; it is built in Buke-zukuri, the style of the samurai house and is called Cho-on-do. It holds a seated statue of the Kannon surrounded by statues of the Four Heavenly Kings, although this is not on view to the public. The lower, unpainted floor is a more secular space, designed for admiring the landscape and is Shinden-zukuri, or palace style, and is named Ho-sui-in. This, incidentally, is said to be the reason that this bottom floor is painted white on the exterior rather than gilded. The sacred upper floors which house temple halls are painted in gold, while the more worldly first floor looks like any other building. The building is topped with a wonderful golden phoenix.

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The golden phoenix of Kinkaku-ji

We found it most crowded at the first viewpoint, which is where most of my photos were taken, as inevitably everyone is brought up short at this point – and also, I am sure a few visitors never progress further than this in their rush to ‘tick off’ the sights of Kyoto. But once we had started to walk around the lake towards the temple it was just a little quieter, and there were also some interesting different views to be had.

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From different angles

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On golden pond - Kinkaku-ji reflected in the surrounding waters

The strolling garden

After viewing the Golden Temple of Kinkaku-ji from most sides, the path led us around the rest of the gardens. These have retained their original design from the days of Yoshimitsu, the Shogun who first built the temple on this spot. They are landscaped in a very natural way, with a variety of trees, bamboo, mosses and a stream, in a style known as ‘strolling garden’. This means that the garden is intended to be enjoyed not from a specific viewpoint (such as the famous Zen garden at Ryoan-ji which we had just come from) but rather from a series of viewpoints as you move along its paths.

There is a lot of symbolism in the garden too, with the rocks, bridges and plants arranged in particular ways to represent famous places in Chinese and Japanese literature. The largest of the islets in the pond represents the islands that constitute Japan itself, while four rocks which form a straight line in the pond near the pavilion are said to represent sailboats anchored at night, bound for the Isle of Eternal Life of Chinese mythology.

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In the strolling garden at Kinkaku-ji

Here and there in the grounds we came across statues and sculptures. The one in my photo above stands on an island in another small pond, An-min-taku. It is called Hakuja-no-tsuka (the Mound in Memory of the White Snake). This pond is said to never dry up.

Near the end of the path as you head towards the exit is a small shrine known as Fudodo, where the stone Fudo-myoc (Acara) is enshrined as a guardian. Also near here we found a couple of stalls selling snacks and bought some tasty wasabi nuts to fortify us after our long day out.

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Burning incense at Fudodo shrine

By now the afternoon was almost over and we were weary. It was time to head back to the ryokan to rest and freshen up before dinner. We decided to treat ourselves to a taxi back, rather than wait for a bus, and enjoyed chatting to the driver whose English was a little better than some others. He showed us a photo of his family (when stopped at some traffic lights!), pointed out a couple of sights as we passed them, and confirmed what I had already deduced, that the wearing of white gloves was compulsory for taxi drivers. Apparently it’s intended to make them look smart and also distinguish them from other drivers.

Kobe Pasta and Sweets

While enjoying Japanese cuisine is part of any trip here, just occasionally we found ourselves fancying a change. In Kyoto this urge for something different hit us, and we headed to the ‘restaurant floor’ of the Yodobashi store right by our hotel in search of pasta – Italian restaurants are very popular in Japan (due to the similarity between pasta and noodles it seems) and you'll find them in most cities. We found what we were looking for here, one of a number of restaurants strung out along a sort of indoor street on the sixth floor.

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Yodobashi restaurant floor

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'Pasta and sweets'

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Salmon and spinach pasta
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The rather odd 'bucket'!

There was an English menu of sorts and our waitress also spoke just enough words to be able to advise us that one of the set meals (here in Japan known as ‘sets’) would offer us good value as we could pay a single price for our pasta dish and beer. Chris chose a prosciutto and cheese sauce for his spaghetti while I went for salmon and spinach. The dishes are available as small, medium or large – and somewhat surprisingly, all sizes cost the same! We also got something they call a ‘bucket’, which is simply a baguette with a flavoured butter (we had basil) served rather incongruously in a beer stein!

Our medium dishes were a good size. The pasta was cooked fairly well (not too soft) and the sauces pleasant enough, if unremarkable. The beer washed it all down nicely and there was nothing to complain of in a bill of 3,080¥.

By the way. I’m not convinced that ‘Pasta and Sweets’ is its real name, but it appears prominently on the sign outside. Google Translate suggested ‘Kobe Pasta and Suites’ as a translation of its website but the shop sign clearly states ‘Sweets’ which seems more likely!

After dinner we did a bit of late-night shopping in Yodobashi, as Chris needed a new memory card (all those temples to photograph!) We found prices comparable with what we would pay at home, and the selection and overall size of the shop mind-boggling. Then we headed across the road to explore the station as its modern architecture had caught my eye on arriving in the city the day before.

Kyoto Station at night

Kyoto Station is huge (the second largest in the country, after Nagoya) and as I mentioned in my previous entry can be daunting to navigate as a traveller. But come back at your leisure, preferably at night, and you will find it an altogether different experience.

The station’s architecture is ultra modern, a real contrast to the historic temples that most people come to Kyoto to see. It may not be to everyone’s taste, but I loved it (I do tend to like modern architecture, if done well which this is). It makes a really bold statement in the centre of the city, and also serves its multiple functions effectively. Transport hub, shopping centre, entertainment complex, hotel – you will find all this and more within this massive structure.

The station was opened in 1997 to coincide with the city’s 1,200th anniversary. The style is loosely futurist, designed by Hiroshi Hara who also designed the Umeda Sky Building in Osaka. It wasn’t universally welcomed as many thought it was inappropriate for so historic a city and some have blamed it for a recent flush of modern buildings in the city centre.

The statistics give some idea of the scale of this structure. It is 70 metres high and 470 metres from east to west, with a total floor area of 238,000 square metres. The central atrium is 60 metres long and at the west end is an imposing 171 step stairway. This latter was a great place to start our night-time explorations as it is illuminated and (when we were there at least) constantly changing.

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Illuminated stairs

I wasn’t able to confirm whether this is a year-round feature or linked to specific seasonal events (in our case, Halloween) but do check it out to see whether there’s a ‘show’. I did a short video of the staircase but unfortunately my camera battery chose that moment to go flat, and I had thought to bring a spare on our evening out, so I wasn’t able to capture as many ‘scene changes’ as I would have liked. But the still photos give some idea.

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Kyoto Tower from the Skyway

After watching this for a while we headed upwards to visit the 45 metre long Skyway, a sort of suspended aerial corridor which you can walk along for great views of the Kyoto Tower and the city at night. To reach this you have to go up to the 10th floor and through a door to the left of the stairs which leads through a food hall to the Skyway. If you want to check this out do keep your eyes open, as we missed this door the first time – it’s easy to not spot the sign to the right of the door or to think you are walking into a restaurant by mistake! And give it a miss if you have a problem with heights as you feel quite exposed up there even though surrounded by glass.

After descending from the Skyway we headed outside the station to investigate something intriguing we had spotted from above, the Aqua Fantasy. This is a somewhat odd sight. On the roof of a small shop in front of Kyoto Station is a nightly display in which water jets are lit to look a little like fireworks and are set to music in a synchronised show. It’s a bit corny but fun, and worth stopping to watch if in the area. My flagging camera battery had gained a new lease of life with a short rest so again I made a little video of the performance. I read somewhere that these shows take place every evening at 7pm, 8pm, 9pm and 9.30pm. Do check it out if you’re nearby as it offers a different Kyoto experience.

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Aqua Fantasy

It had been a long day and we had packed in a lot of sights. It was time to head back to the ryokan, check our emails using the free wifi in the lobby, and snuggle down in our futons again. Tomorrow we would leave Kyoto on the next step of our journey …

Posted by ToonSarah 07:59 Archived in Japan Tagged night kyoto food architecture restaurant japan culture temple city garden shrine customs Comments (3)

City of lakes

India days eleven and twelve


View Rajasthan 2015 on ToonSarah's travel map.

Udaipur

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Fateh Sagar

Udaipur was the southernmost point we visited in Rajasthan on this trip – after this we would turn north again towards Delhi. The city’s setting in the Aravalli Mountains, and around a string of man-made lakes, gives it a unique character among Rajasthan’s cities.

You are never far from the water here, so views are often more scenic. Local life focuses to some extent on the lakes, creating a more relaxed vibe than elsewhere, and the city’s efforts to become the cleanest city in India have borne fruit, at least in the centre.

We spent the largest part of our day here exploring the City Palace, an amazing structure which is actually many palaces in one – all piled on top of each other on the eastern shore of the oldest lake, Pichola. We also had time to stroll in one of the oldest streets, visit a temple and some pretty gardens, but not, unfortunately, to take a boat ride on the lake and visit the famous Lake Palace hotel, nor to visit the Monsoon Palace. Another day here would have been good – but I could say the same about almost every place we visited on our tour of Rajasthan!

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Langurs beside the road

We drove to Udaipur from Narlai via Ranakpur, stopping to visit the stunning Jain temple there en route (see my previous entry). We also stopped in a bustling small town, Sadri; drove through the Aravalli Mountains with some beautiful views; and had plenty of chances to photograph the traditional rural Rajasthani way of life. There were oxen pulling ploughs and turning water wheels to irrigate the land (I made a little video of the latter and tipped the woman operating it for her trouble), and men and women (the latter in the most colourful of saris) working in the fields. We also saw several troops of the Langur monkeys whose antics never failed to make me smile!

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Threshing and drawing water

Waterwheel

By the time we arrived in Udaipur it was late afternoon. We checked into our hotel, the Lalit Laxmi Vilas Palace, which lies a little way out of the oldest part of town on the shores of Fateh Sagar, one of the city’s many lakes. This rather grand old hotel is part heritage property, part newer. We had a large room in the newer (cheaper) wing, but with a lovely lake view that more than compensated for any lack of character, and a window seat from which to enjoy it.

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Hotel entrance and our room

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View from our room

While our reception here was welcoming it was also a bit stifling. A friendly girl from reception showed us to our room, and the bell boy followed with the luggage and showed us all the facilities (expecting a good tip, of course) and also explained how we could give feedback and mention him by name. While he was still doing this the phone rang - it was reception wanting to know if we liked our room. And as he left a lady from the spa arrived to tell us that we could book a massage and the prices were displayed in the room (so clearly that we hadn't needed her visit to point this out!) This over-solicitousness continued throughout our stay - for instance, one morning at breakfast three different staff members hovered over us offering to fetch coffee, bread, pancakes etc., despite it being a buffet! While well-meaning it became a bit wearing at times.

One bonus of our stay at the Lalit Laxmi Vilas Palace was the view over Fateh Sagar Lake, especially at sunset. The hotel faces west across the lake and in on a ridge above it, so perfectly positioned to catch the final rays of the sun as it goes down behind the hills on the opposite shore. The hotel makes the most of these, with musical entertainment as the sun sinks and drinks served on the small terrace overlooking the lawns. But with most if not all rooms facing towards the lake, we found we could just as easily enjoy the sight from the comfort of our own room with its strategically positioned window seat!

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Lake view, late afternoon

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Udaipur sunsets

Evening entertainment is provided in the rather incongruous form of bagpipers who played "Scotland the Brave", among other tunes, as the sun set over the hills on the other side of the lake! I just had to make a video of that. Later there was a puppet show and later still the ubiquitous Rajasthani cultural performance.

The hotel has three restaurants. On that first evening we chose to eat in Aangan, which serves Indian food and has outside seating with a view of the lake. The food was OK but the menu very limited as they were having a kebab festival which meant that we were restricted to choosing between a set platter of meat kebabs or one of vegetarian ones, with both of us having to eat the same. Prices though were reasonable (we paid 3,200IR which included three drinks and a three course set meal). A shame, as I think their regular menu would have suited us well and made this a good choice.

On balance we probably liked this hotel among the least of all those we stayed in on this trip. It looks very grand, and has wonderful views - these are its best feature. But it lacks some of the facilities you would expect of a hotel with these pretensions, such as a bar (!) and swimming pool (it would have been better by far to use the lawns for this purpose than to add a third unnecessary restaurant). Also, while I did feel staff really wanted to be helpful, the attentive service felt drilled rather than genuine.

Udaipur's lakes

Arriving in Udaipur it is immediately obvious why it is so often called the “city of lakes”. A string of them runs through its heart and you are never far from water here. All the lakes are interconnected, and you will see different numbers cited, as it seems to depend on whether you count the smallest stretches of water as an actual lake or not. Wikipedia suggests that in total there are three main lakes in the upper catchment area above the city, six lakes within its municipal boundary and one lake downstream. Our guide on the other hand said there were just five in the centre. In practice though you will probably be most aware of just three – Pichola with its famous Lake Palace in the southern part of the city, Fateh Sagar in the more modern northern part, and smaller Swaroop Sagar which links the two.

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Pichola from near the City Palace

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Swaroop Sagar

The lakes are not natural; they are all manmade. Pichola is the oldest, constructed in 1362 and extended in 1560, while Fateh Sagar was added in 1678 and Swaroop Sagar in the mid-19th century. In the past there have been considerable problems with water pollution, caused by poor treatment of sewage, but there have been efforts in recent years to clean up the lakes. Nevertheless, I wouldn’t recommend bathing here. It is possible though to take boat trips on both Pichola and Fateh Sagar, and I wished we would have found time for this during our brief stay.

City Palace

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Most of the next morning was devoted to the building which dominates Udaipur’s old town, the City Palace, which stands on the east bank of Pichola Lake. It was founded by Rana Udai Singh II in 1559 – according to legend he chose this spot on the advice of a hermit who was meditating here and whose blessing he sought. It has been developed and much added to by subsequent generations of maharanas to create what is actually a whole complex of palaces – most sources describe eleven in total. Part of it is still occupied by the Mewar royals, who in today’s democratic India have retained their titles (and wealth) but no power. They run the complex as part tourist attraction / museum, part heritage hotel.

Entrance fees can be confusing as there are many ticket options, depending on which parts of the complex you want to see. Our tour was pre-paid as part of our holiday but if buying your own ticket you’ll want to study the options in advance (not easy, as the official website doesn’t explain them properly!) I did however spot at least one ticket counter part way round the tour where those who wanted to add extra sections could do so.

The publicly accessible parts are something of a rabbit warren of narrow passages, steep stairways, and hidden courtyards. We were very glad we had a guide, although the audio guide you can hire would also be helpful in finding your way and ensuring you don’t miss anything.

You enter the palace either from the south, as we did, climbing up a path with great views of Pichola lake (see above) and passing the private quarters of the maharana, or from the north via the old city and the Badi Pol, the main gate. Either route leads you into the Manek Chowk, a large courtyard with lawns which was created in around 1620.

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City Palace seen from Manek Chowk

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Park your elephant here

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This is the main ceremonial area of the palace and is still used today for royal festivities and public events. The buildings of the palace tower above you on the courtyard’s west side. Near the northern end of the courtyard you will see some large indentations in the ground which our guide explained were where elephants would be tethered (you will get a better view of these later, looking down from above). A large wall in the north west part of the courtyard was used for elephant wrestling – two elephants would stand one each side of the wall and wrestle each other with their trunks (you can see photos of this inside one of the palaces).

On the wall of the palace look out for the large sun – the Mewar maharanas worshipped the sun and would greet it each morning. In the event of cloudy skies, they would greet instead a pure gold sun mounted on an inside wall of the palace, and to encourage the people to do likewise they had this gold plated version mounted here.

From the Manek Chowk you pass through the Toran Pol, with its heavy spiked gates and a wonderful painting on the ceiling of the arch depicting dancing girls.

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Toran Pol

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Ganesh Deodhi

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Glass inlay decoration

One of the first sights of note on our explorations of the City Palace was the Ganesh Chowk, off which is this small statue of Ganesh, the Ganesh Deodhi. It was sculpted in marble in 1620 and is an object of reverence. It is set in a small niche and surrounded by beautiful glass inlay work depicting girls with fans, flowers and vines, peacocks and more.

From here we climbed some steps which led to the Rajya Angan, the earliest courtyard of the palace, built by Rana Udai Singh II in the 16th century. The early coronation ceremonies of the Mewar rulers took place in this courtyard. A room off this courtyard has displays about Pratap Singh and his famous horse, Chetak, who carried his master to safety despite having been shot in the leg during the Battle of Haldighati fought between the Rajputs and Mughals in 1576; once Pratap was safe, Chetak died of his wounds. Chetak is depicted in this model wearing a strange elephant-like truck, which was intended to deter attacks from the battle elephants who were trained to wield swords in their trunks and slash the enemy. It was just such an attack that caused Chetak’s wounds, so we can assume that the disguise was not good enough to fool the elephants on that occasion at least.

Pratap and
Chetak

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From the Rajya Angan we climbed further to the Chandra Mahal which was created by Rana Karan Singh II in the early 17th century as a leisure place for the rulers. In the centre is a large basin carved from a single piece of marble which is thought to have been used during Holi celebrations. It is also said that on the occasion of Karan Singh’s wedding the basin was filled with 100,000 silver coins which were later distributed among the poor of Udaipur. A balcony to one side of the courtyard offers fantastic views of the lake below.

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View from Chandra Mahal

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Wall carving, Chandra Mahal

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Roof detail, Chandra Mahal

The next part of the City Palace that we came to on our tour was the Badi Mahal or Garden Palace (also sometimes known as Amar Vilas after its creator, Rana Amar Singh II). This dates from 1699 and was designed as a summer house. It has a marble basin in the centre and is planted with trees, like a roof garden (we are 30 metres or so above ground level here). Around the edges are terraces with 104 intricately carved marble pillars to support their canopies.

You can get some great views of the town below from here. It was also from here that my photo (above) of the elephant tethering pits in the Manek Chowk was taken.

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In the Badi Mahal

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Badi Mahal windows and view

From here we descended (I think!) past a room which displayed paintings of court life to one of the most ornate rooms, the Kanch ki Burj. Like the Chandra Mahal this dates from the reign of Rana Karan Singh II. Its walls are covered with red zig-zag mirrors (a 19th century addition) and it has some beautiful tile-work and a mirrored dome.

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Kanch ki Burj

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Continuing our tour we came next to the Badi Chitrashali Chowk, a square courtyard built during the reign of Rana Sangram Singh II (1710-1734). This space was used for music and dance performances, and was another of my favourites. It is decorated with blue tiles imported from China and windows of brightly coloured glass in which it is possible to frame a photo of the city below.

Beyond lies a terrace which provides another good spot for views - the city from one side, and Lake Pichola from the other. You can also look down into Manek Chowk and get a more detailed look at some of its features less easily visible from ground level, such as the statue of Ganesh in my photo below. There were a lot of visitors here all jostling to get the best photos so you may have to be patient!

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Views from the Badi Chitrashali Chowk of the city and of Manek Chowk

From here, steps lead down to the Moti Mahal or Pearl Palace, its walls covered in mirrors and coloured glass. This is another of Karan Singh II’s additions – he seems to have liked rich colours and ornamentation. He was also responsible for the Manek Mahal or Ruby Palace which lies on the far side of the Mor Chowk.

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Moti Mahal

We passed then through a succession of rooms, the names of which I didn't always note although my camera was kept busy!

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We came at last to one of the City Palace's most photographed and acclaimed areas, the Mor Chowk. This is arguably the most beautiful of the palace’s many delights. Some other parts are more colourful, and it lacks the views of other courtyards, but its decorative elements are among the most exquisite and it has a pleasing uniformity of design. The stand-out features are the five mosaics of peacocks, commissioned by Rana Sajjan Singh in 1874. Each is made from about 5,000 pieces of coloured glass and stones. They are protected by windows so hard to photograph without reflections, but I got my most successful image by putting my lens right against the glass to capture the intricacies of the work – each fine strand of the feathers is a separate shard of green glass, for instance.

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Although easy to overlook when focusing on the peacocks, the rest of the courtyard is also beautifully decorated, especially at the upper levels.

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Upper levels of the Mor Chowk

At this point I confess I started to tire and although I took more photos of the remaining rooms and palaces these were mostly of small details that caught my eye, and at times I omitted to note where we were exactly within the complex!

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Manek Mahal

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Details - door, painting, lamp

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Detail of carved wall

I have written a lot about the City Palace and shared lots of photos, and yet this was not all we saw here! It’s an amazing place and you could quite easily spend the best part of a day here. As it was, we were here for several hours and still missed things I am sure.

City Palace Road

After our visit to the City Palace we took a walk along this road which I found held a wealth of fascinating activity and photo opportunities. Udaipur prides itself on being among the cleanest of Indian cities, and while that cleanliness seems only to apply to the very centre (we saw the ubiquitous rubbish heaps everywhere else) it was definitely in evidence here. There was also perhaps less traffic than we had become used to in the cities we visited, at least at the top end of the street, making it easier to find the best position for a photo. But as everywhere we found locals happy to see our cameras and for the most part to be included in our shots, when they realised this was the case.

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This was also a good place to find local crafts, and although I didn't buy anything here (we stopped later in the day in a cooperative where I got a lovely cushion cover however), I did enjoy photographing the many puppets on display. Some of the shop signs raised a smile and made for good photos too.

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Jagdish Temple

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Where City Palace Road becomes Jagdish Temple Road there is the large Hindu temple that gives the latter street its name, perched somewhat incongruously (or so it seemed to me) above a row of shops. This was built in 1651/2 by Rana Jagat Singh, and is dedicated to one of the incarnations of Lord Vishnu, Jagannath. A black stone image of him stands inside, carved from a single stone (no photos allowed here), and around this central shrine are four more dedicated to Lord Ganesh, the Sun god, the goddess Shakti and Lord Shiva. A brass image of Garuda (the half-bird, half-man vehicle of Lord Vishnu), stands in a separate shrine in front of the temple. Outside every surface is decorated with carvings – elephants of all sizes, lions, images of Vishnu, scenes from the life of Krishna, dancing nymphs and all sorts of geometric and floral shapes.

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Jagdish Temple

Sahelion Ki Bari

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These pretty gardens dotted with fountains are a peaceful oasis in this busy city. The name means “Courtyard of the Maidens” and commemorates a group of 48 young female attendants who accompanied a princess to Udaipur as part of her dowry. The garden was laid out by Rana Sangram Singh in the early part of the 18th century. It is said that he created it for his queen and these 48 companions, to give them somewhere to relax away from the court.

Although not large, there is quite a lot to see here, with several distinct parts to the garden. Near the entrance are lawns, and a square walled garden with a large pond in the centre of which is a pretty white marble chhatri. Water is something of a theme here – there are several other pools and numerous fountains ornamented with cranes and other birds, as well as elephants. A later Maharana, Bhupal Singh, added a group of rain fountains whose sound is designed to mimic rainfall (a rare treat in this desert state). Some fountains in the gardens play constantly, while others are activated by clapping your hands nearby.

There are also plenty of flowers, including oleander and bougainvillea. Some of the fountains were imported from England and the gardens show an English landscaping influence in places, just as English gardens of that period were often influenced by Indian styles.

There is a small entry fee (our guide paid so I’m not sure what this was) but the outer lawns are accessible free of charge and are a popular picnicking spot for locals.

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Fountains of Sahelion Ki Bari

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Gardeners

From here we drove back to Fateh Sagar, the lake a little to the north of the centre, where we stopped for lunch at a lakeside hotel. Later we stopped on a bridge over Swaroop Sagar which had super views in both directions. We could see locals washing their clothes at the water’s edge and had a good distant view of the Monsoon Palace. We met some local school boys too, keen to pose for photos!

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At Swaroop Sagar

We also visited the crafts cooperative where I bought my pretty cushion cover, before returning to the hotel to relax and catch up with emails etc. It was then that I wished that the hotel had used its extensive grounds for a swimming pool rather than a third restaurant!

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But after another lovely sunset it was in that third restaurant that we ate our dinner. This is the Garden Grill. Its tables are set out among the trees and there is a nice view of the palace that houses the hotel, but not of the lake. Service was again stiflingly over-attentive (we were the only guests dining there as the hotel was quiet that night) and the food, which is "multi-cuisine" but all quite spicy (think Cajun chicken and Indonesian satay), was merely average. But we enjoyed the setting and the birds (stilts, I believe) that wandered the lawns between the tables. A full moon rose over the hotel palace and made a lovely backdrop to our final evening in Udaipur.

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Tomorrow we would turn our sights northwards again ...

Posted by ToonSarah 12:25 Archived in India Tagged buildings people india palace garden udaipur rajasthan street_photography Comments (7)

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