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Roots

Gambia day three


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Slavery museum, Albreda

For anyone who has read Alex Haley's book, Roots, or seen the TV series, it's possible to take an organised ‘Roots’ tour which provides an insight into the places and people behind his story and that of thousands of others.

We had never read or seen Roots, and tend to shy away from large group tours, but I didn’t want to visit The Gambia without acknowledging, and learning more about, the history of slavery in West Africa. And with limited time this seemed as good a way as any of visiting some key sights.

The trip was expensive compared with what we would have paid had we arranged it with a local guide, but we decided it was worth the extra cost to have someone put it together for us and take care of logistics. However if we were to go to The Gambia again I would probably make the extra effort to plan any similar outings myself.

On the river

We were picked up at Ngala Lodge by a bus that already had a number of tourists on board, and stopped at one more hotel before driving to Banjul to board a boat for a two hour journey on the River Gambia. We secured seats on the top deck with excellent views of all the activity on the river as, although the sun was hot, the fresh breezes made sitting in the open bearable – a decision I was to regret later however!

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Old pleasure boat near Banjul

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Fishing on the Gambia

Albreda

After two hours on the Gambia River we arrived at our first stop, the small fishing village of Albreda on the north bank. In less happy times this was one of the embarkation points for slaves being transported to the Caribbean and Southern states plantations, and the village contains several memorials of those days.

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Welcome to Albreda - view from the jetty

Albreda was formerly a French outpost, having been given to the French by a local ruler, Niumi Mansa, in 1681 to strengthen trading ties with Europe. This gave the French a foothold in the otherwise British-owned territory in this region and led to regular skirmishes, with nearby Fort James changing hands between them several times, before settling down under British control from 1702 onwards. Albreda itself was transferred from French control to the British Empire in 1857.

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By the river in Albreda


Today the village survives on fishing and tourism, the later sustained by these memories of its dark past. Down by the river where the boats dock is a dramatic statue of a human figure, part black and part white, with broken chains hanging from its wrists and a globe for a head. On the plinth are inscribed the words, ‘Never again’.

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Slavery monument, Freedom Flagpole and cannon

Nearby are the ruins of a ‘factory’ or fortified slaving station, and the so-called Freedom Flagpole which we were told gets its name from a story that if a slave managed to escape from James Island and swim here, and to touch the pole before being caught, he would gain his freedom - but none ever did because they feared the river and never learned to swim. I am not sure how true this is ...

The cannon next to the flagpole dates from the 19th century and was used by the British to deter slaving ships from sailing further up river.

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In Albreda

From here our group was led by the local guide who had met our boat on a stroll through the village with its dusty football pitch and shady baobab trees. As we walked we were ‘serenaded’ by local children with drums, singing and some rather bizarre costumes and dancing. Every group had a bowl for tips, but we were encouraged instead to make a single donation to the village in a box outside a small council office.

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Village children

I shot some video clips of the various groups.

Slavery Museum

Our walk brought us to the slavery museum, housed in a wooden building dating from the mid 19th century, known as the Maurel Freres Building. This building was somewhat ramshackle, despite being described in a sign on the outside wall as ‘one of the best structurally preserved historical buildings in the James Island and related sites world heritage complex’. It was built by the British in the 1840s and is named for a Lebanese trader who later used it.

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Sign on the Slavery Museum

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According to the same sign, the James Island and related sites present ‘a testimony to main periods and facets of the encounter between Africa and Europe along the River Gambia, a continuum that stretched from pre-Colonial and pre-slavery times to independence.’ That could be said to be the aim of this little museum too.

We were left by our guide to walk around three rooms which tell the history of the slave trade (both in this region and more generally), describe the appalling lives of the slaves, and, more positively, celebrate the more recent achievements of black African-Americans. A number of artefacts such as manacles, chain neck-locks, and foot-locks bring the gruesome history to life, as do quotes and posters from contemporary sources. It is somewhat cramped, and the artefacts not imaginatively presented, as they might be in a more sophisticated museum, but they are all the more telling perhaps for that reason.

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Old photo

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Manacles

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Yoke

Outside the museum was a moving sculpture in a naïve style depicting a slave family – father standing and manacled to the mother kneeling at his feet with a baby on her back. There was also a replica slaver ship which we could climb inside to see the cramped conditions suffered by the slaves.

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Monument outside the Slavery Museum

Village school

Next door to the museum was the small village school which we were encouraged to visit. Although it was a Sunday, some children were inside doing colouring and happy to chat to their visitors. We made a small donation, as had been suggested, and some people in the group handed over pens, pencils etc., but were discouraged, I was pleased to note, from giving sweets.

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Pupils at the village school

We all sat for a while in a nearby sheltered area known as a bantaba, which gave us a welcome break from the hot sun. A local musician was playing the korah (a stringed instrument) here and aiming to sell CDs to the visitors although I don’t think anyone from our group bought one. Some of the other villagers had gathered here - perhaps to listen to the music, perhaps to inspect the visiting groups!

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Village woman

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Korah player

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Woman in Albreda

After a brief rest it was time to move on, walking to the next village, Juffureh.

Juffureh

Juffureh is the neighbouring village to Albreda, about a kilometre away along what appeared to me to be a wide sandy track but could equally as easily have been a dried-up river bed. Only the ‘Welcome to Juffureh’ sign gave any indication that we were entering another village.

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Entering Juffureh

And Juffureh would be just that, ‘another village’, were it not for one black American man, Alex Haley, and his search for his African ancestors. He told in his semi-fictionalised account how he traced his family back to a certain Kunta Kinte who originated from Juffureh, from where he had been captured and sold into slavery in the plantations of the American South. Haley came here to see if any of his relatives could be found. He discovered the descendants of Kunta Kinte's brother still living here in the family compound. Alex Haley himself claimed to be a seventh-generation descendant of Kunta Kinte and here he met a woman also of that generation. She has since died but other members of the family remain and take it in turns to represent the rest (‘sit for the family’, as our guide put it) when tourist groups visit. We met the daughter of that seventh generation woman who had welcomed Alex Haley, and another family member whose relationship was not explained. The women greeted visitors and posed for photos, and in return sold small booklets about the story or simply accepted a small donation for their time.

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Kinte women, Juffureh

There have been some challenges to the authenticity of Haley's account. He himself admitted that he took some details of Kunta Kinte's story from another book, and papers found after his death cast doubt on his claim that he was descended from him. But there is no denying the fact that these villages, like most others in the region, suffered terribly from the impacts of the slave trade – both on those who were taken and those left behind.

Not having read ‘Roots’, I was more interested in the general history of slavery than this one man's story. For me the more memorable encounter in Juffureh was not with the Kinte family but with the village chief, who just happened to be, at the time of our visit, a woman – still an unusual and remarkable occurrence here. She sat in the village banaba to receive visitors, welcomed us (through a translator) and spoke a little about her appreciation of the efforts we had made (truly not that considerable!) to leave our hotels for the day and travel to see something of village life. She happily posed for photos with anyone who wanted to (I myself preferred to take more candid shots of her alone as she spoke) and gave anyone who wanted it a small ‘certificate of visitation’ in return for (another) small donation. I made the donation in recognition of the photos I had taken but declined the certificate. But it was certainly an interesting experience to meet her and one of the highlights of the day out for me.

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Village chief

In addition I found that visiting Albreda and Juffureh not only gave me an up-close perspective on the impact of the slave trade on this region but also the opportunity to see a bit of life as it is lived in these rural villages (notwithstanding the fact that these villages are visited by many tourist groups). OK, we didn’t have the place to have it to ourselves, and there was a (manageable) degree of hassling, but, I concluded, why shouldn't these people cash in on the opportunities we bring their way?

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In Juffureh

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Woman in Juffureh

In Juffureh this ‘cashing in’ included a small range of items for sale beside our route (loofahs, textiles etc.), more children adorned in leaves as in Albreda, and enthusiastic demonstrations by several women pounding maize – all designed to increase the donations we made to the community, no doubt.

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Women pounding maize

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Woman pounding maize, and loofahs etc for sale

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Child in Juffureh

Kunta Kinte Island

After our visit to Albreda and Juffureh we returned to the boat to travel the short distance to Kunta Kinte Island. Formerly known as James Island (the name was changed in 2011) and prior to that St Andrew's Island, this small island in the River Gambia is home to the ruins of a fort that once belonged to colonial Britain. For many slaves, this would have been the last patch of African soil that they saw before being transported in the bowels of transatlantic slave ships to the Americas.

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Kunta Kinte Island

Prior to coming into British hands in 1661 it had been occupied by first the Portuguese and later the Dutch, among others. For the British it represented their first imperial exploit on the African continent. They renamed the island James Island and the fort Fort James after James, the Duke of York, who was to become King James II of England. The island subsequently changed hands many times, particularly between the French and British. The fort was destroyed and rebuilt several times during this period, both in these conflicts and by pirates.

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Ruined fort on Kunta Kinte Island

Today you can see the ruins of the fort and some of its outbuildings, though many of the latter, including the slave houses, have been lost due to erosion of the island. It is now apparently only about one sixth of the size it was at the time of the slave trade, although much of what has been lost was in fact artificial island that had been built up around the natural water’s edge to enable more buildings to be constructed here. Without constant maintenance it is not surprising that these reclaimed patches of land are being lost again to the river.

Our guide, Ibrahim, bemoaned the fact that his government is doing so little to protect this part of the country's history (and this despite the fact that it is now listed as a UNESCO World Heritage Site, along with related sites including Albreda, Juffureh and Fort Bullen). You can still see the ruins of the main fort building and can enter one of the cells where recalcitrant slaves were imprisoned, and there are still cannons in place on the crumbling bastions. But the outlying quarters where the majority of the slaves were housed are among the buildings no longer standing, so we got only a partial idea of the conditions they suffered, although my imagination, Ibrahim’s explanations and my own reading of history could fill in the rest.

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Our guide Ibrahim

Despite its gruesome history this is quite a peaceful spot. I loved the shapes made by the ancient baobab trees against a backdrop of sparkling river water and wandered off from our guide, informative though he was, to take some photos.

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The Old Landing Place

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Ruins and baobab trees

Then it was back to the boat for the two hour journey back to Banjul and from there the bus transfer back to Ngala Lodge.

That evening …

It had been a long, hot day. We had only been in the country for 24 hours and I was unaccustomed to the heat, coming straight from an English winter, so I found myself suffering a little later that evening with what I concluded was mild heat exhaustion. After our morning ride on the river, when I did sit in the sun, I had tried to stay in the shade, and I’d taken plenty of water, but clearly the damage had been already done. As a result I felt decidedly wobbly for a few hours and had to skip dinner and miss what sounded like an excellent evening’s entertainment with musicians and dancers from the local area. A lesson learned, the hard way!

Posted by ToonSarah 06:29 Archived in Gambia Tagged people children boats islands fishing history ruins fort village river museum school africa slavery gambia

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Comments

I read Roots many years ago (shortly after it was published, I suppose), and don't remember all the details, but I do recall the scene where Alex Haley comes to this village and is astounded to be among people who all strongly resemble himself and his relatives. So apparently he found at least the right general area, if not exactly his own relations.

by Nemorino

Hi Don - yes, I believe his account had some truth to it, but a lot was made up or embellished. He himself called it a novel, but claimed the bits about his own lineage were true and well researched. However some say his source in Juffure, Fofana, had a number of inconsistencies in his account of the Kinte family tree, and that Haley took some of his story from another book - something he himself acknowledged some time later.

by ToonSarah

I've read Roots and seen the series. This to trip sounds interesting.

by irenevt

It was Irene, but tiring in that hot sun!

by ToonSarah

I have never read or seen Roos, but It sounds more than interesting when reading your entry!

by Ils1976

Thanks Ils :) After visiting the villages I resolved to read it, but six years on I still haven't got around to it!

by ToonSarah

I read the book after seeing the series on tv many years ago. Whether or not the entire thing is gospel, it is a story that, in the telling, changed a lot of things. It needed to be personalized and that's what Haley did.

by Beausoleil

I think you're right Sally. In the end the impact that the book and TV series had, in opening some people's eyes to the horrors of slavery, was more important than whether all the details of his family tree were accurate. Haley himself called it a novel, after all. The reason for posing the question of authenticity I guess links to the tourism business here, with locals claiming to be related to him charging for a few photos. But I don't myself have a problem with that, because these tours teach people, who may never read a history book or watch a documentary, so much about that period, and understanding that is critical to understanding present day issues of race and prejudice imho. And if the locals make a bit of much-needed money, that can't be a bad thing either.

by ToonSarah

Sarah, this is an interesting post for several reasons. I watched and enjoyed the long-ago "Roots" TV mini series along with millions of others and as I see your photos here, I'm surprised that Mr. Haley apparently did not share some of his new- found wealth with his ancestors' native Juffureh. Also, I wonder if the slavery museum mentioned the fact that Gambian slaves were also "exported" to Europe by Europeans and Asia as early as the mid-15th century and lasted well into the 19th century; or does it solely focus on the Americas. It's a shame the heat and sun took its toll on you at the end of the day, but glad you were able to see so much before that. Great photos!

by starship VT

Thank you for your thoughtful comment Sylvia. I don't know whether Alex Haley shared any of his wealth with his distant relatives here but the impression I got was that these villages are less poor than many in The Gambia (don't judge by the appearance of their houses which are traditional), but my assumption was that it was due to the benefits that tourism brings. The museum's main focus, if I remember correctly, was on the trans-Atlantic slave trade, both because of the specific links to Haley's book and also the fact that the book has drawn many Afro-Americans to visit the region - there are resources here to help them discover if they too had ancestors here, I believe, although we didn't see those. But it covers 400 years so is not restricted to that alone.

by ToonSarah

Roots is the only TV series I remember from me teenage years. Remember Kunta holding up Kizzy to the sky when she was born. I certainly would this visit very interesting Sarah. And most certainly would have bought some gifts from the women selling them. Again living in poverty people need to exploit whatever opportunities they have. A great read.

by katieshevlin62

I agree Katie that it's only fair that these people make some money from us. We didn't want to buy any of the products so we donated to the school and the community fund instead

by ToonSarah

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