Japan day sixteen continued
19.10.2013 - 19.10.2013
Torii gate at entrance to Futurasan Shrine
Futarasan is only five minutes’ or so walk from Toshogu but it seemed to us that we were in a different world. The crowds had gone, leaving just a handful of tourists (some Western, some Japanese) and some local families. We strolled around in a much more leisurely way than had been possible at Toshogu, taking photos and soaking up the tranquil atmosphere and the rich colours of the leaves just starting to take on their autumn hues.
Several local families with small children, some of them dressed up in traditional costume, were clearly here for a celebration. The festivities were focussed on a building to the right of the shrine itself and one mother there was more than happy for me to photograph her children, even encouraging them to pose for me.
Children's festival at Futarasan
Futarasan Shrine was founded in 782 by Shodo Shonin, the Buddhist monk who introduced Buddhism to Nikko and who also founded the nearby Rinnoji Temple. It is dedicated to the deities of Nikko's three most sacred mountains: Mount Nantai, Mount Nyoho and Mount Taro (Futarasan being another name the first and most prominent of these.
Torii gate at Futarasan
Nun at Futarasan
Carving detail, Futarasan
Torii gate detail, Futurasan
You can wander round the grounds here for free, though there was a small charge (300¥ in October 2013) to enter an area featuring a small forested garden with a couple more halls including the Shinyosha (portable shrines store) and Daikokuden where some treasures, including some beautifully worked swords, were on display.
There is also a sacred fountain, a modern Buddha statue and some old sacred trees. We found this the most peaceful part as few people other than us seemed minded to pay that small fee.
Modern Buddha statue
Stone lanterns at Futarasan
When we left the shrine we encountered another local family group just outside and again there was no problem with us taking some photos. We then followed the rickshaw as the children were taken for a ride along the path between here and Toshogu, escorted by their proud parents and stopping at intervals for more photos, both by their own photographer and a few other tourists who had by now joined us. A woman nearby during one of these sessions, who I think may have been a family member, was kind enough to explain to me what was going on.
Children's festival at Futarasan
With the proud parents
She told me that it is the custom in Japan for children to be taken to a shrine to be blessed on reaching three, five and seven years of age. In the past, the lack of medical expertise and knowledge meant that to get through infancy was something to be celebrated, and each milestone on the journey was marked in this way. Today when childhood mortality is thankfully much less of an issue, the custom of thanking the spirits for the good health of a child remains.
It seems that this family must have one child at each of these ages: a boy of five and girls of three and seven. The seven year old was very solemn, like a little lady – clearly after two previous such celebrations she must have considered herself an old hand and responsible for keeping her younger siblings up to the mark!
At the far end of this path the rickshaw turned back to Futarasan and we turned our attention to lunch. After a long morning exploring Toshogu and Futarasan we were ready for something to eat, and in the grey and chilly weather, preferably something warming. I’d spotted a sign near the entrance to Toshogu that had looked promising so we headed over there to explore.
Kishino is part gift shop, part restaurant. You enter the latter through the former, so it was a good job they had those signs outside or we would never have realised we could eat here! It’s not very big and we were lucky to get one of only two free tables. We were promptly brought glasses of water and an English language menu which included various noodle dishes and a few other options. From this Chris chose the curry rice while I opted for soba noodles with yuba – the local delicacy made from sheets of bean curd skimmed from the surface when making tofu. The yuba in my photo is the coiled omelette-looking stuff floating on the top of the soup.
The dishes were nothing special but they were filling and warming on a chilly day. The service was brisk, understandably since they want to turn tables in such a popular location, but friendly, and we were able to use the spotless toilets here too.
Fortified, we were ready to carry on to our final sight in this part of town, Rinnoji.
It is fair to say that we did not see Rinnoji at its best. The main sanctuary building, Sanbutsudoh (Three Buddha Hall), was undergoing major reconstruction at the time of our visit (October 2013) and was completely shrouded in this industrial-looking structure, within which it seems to have been almost completely dismantled. There was only an image of its frontage on the front of this to give us any idea of its usual appearance. But at least we were able to go into this structure (for a reduced fee, 400¥) and get just a glimpse of some of its treasures.
Rinnoji Temple was originally called Nikko-san, and was established by a Buddhist monk Shodo (whose statue stands at the entrance) in 766. It grew quickly, as many Buddhist monks flocked here in search of solitude among Nikko’s forests and mountains. By the 15th century there were over 500 buildings on this site; today there are just 15. Of these, Sanbutsudoh is the most significant by some distance. It has been moved several times in the past – at one time it stood where Toshogu is now located, then on the present-day site of Futarasan, and only under the Meiji regime, when it was decreed that Buddhist and Shinto places of worship should be separated (they had become very muddled over the years and were often co-located and intermingled), did it relocate to this spot. Or rather, Rinnoji relocated – it was some years before the temple, which was short of funds, could afford to rebuild Sanbutsudoh.
Model Sanbutsu on display at Rinnoji Temple
In it are the three gold-leafed statues of Buddha: Amida, Kannnon with a thousand arms (Senju Kannon) and Kannon with a horse’s head (Bato Kannon). These were made in the early Edo period and are all 8 metres high. We were told when we paid for admission that we would only see one of these but that we would get much closer to it than is usually the case. Well, we certainly got close, just a metre or so from its feet, but as no photos were allowed in that part I can’t share it with you. The one we saw, Amida, is considered the foremost seated wooden image in Japan. I believe each of the three will be rotated in turn in this display area throughout the restoration period, which is due to last until March 2021.
We were allowed to take photos of the model Sanbutsu on display, and higher up this ten storey structure I got some photos of other elements of the temple that are being worked on by the restoration team, including (I have since realised) the one below which is, I think, one of the other Buddhas – Bato Kannon, or ‘Kannon with a horse’s head’ (so I probably should not have photographed it!).
Bato Kannon(?) at Rinnoji Temple
As it was a Saturday, we didn’t see anyone actually at work on this immense task – an Australian lady we had spoken to outside had assured us that this was a fascinating process to view, as I’m sure it must be, so our timing was unfortunate in that respect. The relatively poor weather also meant that the views from the top were not as good as they must sometimes be, but it was still an excellent way to get a sense of Nikko’s lovely setting among the mountains, so well worth the climb.
View of Nikko from the top of Rinnoji Temple
There are a number of other buildings dotted around the complex but we didn’t spend a lot of time investigating these (Chris in particular was suffering from temple overload and keen to leave time to see something of the town!) There is a small garden attached to the temple, Shoyoen, which was made in the Edo period and is in the style known as Chisen Kaiyu Shiki (‘short excursion around the pond’). The weather was not really conducive to garden visits so we skipped this too, but we did take a few photos in the pretty garden area immediately surrounding Sanbutsudoh.
In the grounds of Rinnoji Temple
Exploring the town
Statue near the Shinkyo Bridge
After leaving Rinnoji we headed into town. As we started to walk along the main street of the town we were in search of somewhere we could get a drink and a short rest after climbing the ten storeys of the Rinnoji restoration structure. We found what we wanted at Hippari Dako, a tiny place on the west side of the main street at the Shinkyo Bridge end. There are only three tables inside and a fairly limited menu (in English at least) but that wasn’t a problem for us as we only wanted a drink. I had an orange juice, Chris a coffee, and both were fine.
The most distinctive feature of Hippari Dako is its décor. The interior walls are covered with business cards, notes from happy customers, photos, banknotes etc etc. I added a VT card with my details to their collection! The owner was very happy for us to take photos of all of this, but declined Chris’s request to be in a photo herself.
In Hippari Dako
Refreshed, we wandered on down the main street. We spent a very pleasant couple of hours exploring this and I was surprised at how much there was to occupy us here, from browsing in some shops and galleries to taking photos of quirky signs and interesting shop displays. I could have quite happily spent a fair bit of money in the shops but Chris kept me in check! I especially enjoyed the several antique shops we browsed in, and some delicate old china sake cups in particular.
Shops in Nikko
Another thing you see a lot of here are items carved in wood, from small kitchen utensils to large pieces of furniture. The craftsmanship is excellent and it’s worth a look in these shops even if you don’t plan to buy, just to see the styles and the quality of the work.
About halfway along the street on its western side we found a lovely modern art gallery / café. You can browse the works on display on the ground floor and mezzanine above, and then have a coffee and maybe a piece of cake, also on the ground floor and surrounded by art – just the sort of place we enjoy. And the paintings on display when we visited included some lovely bird ones in a distinctive modern Japanese style that we rather liked.
Above a door
After enjoying all the shops etc along the street we reached the bottom, by Tobu Nikko Station. We went inside to make some enquiries at the ticket office. Our return ticket to Tokyo tomorrow specified an afternoon train. But we saw that bad weather (worse than today’s occasional drizzle) was forecast and thought that it would be better to spend our last day in Japan in the city, where there were more options for indoor activities, than here in Nikko. So we enquired in the ticket office about taking a morning train instead, and were able to change our tickets and seat reservations without any problem – apparently you are allowed one free alteration, which is very helpful.
We then continued on to see Nikko’s other station.
JR Nikko Station
JR Station, Nikko
Which station you arrive at in Nikko depends on the route you take from Tokyo. We had travelled yesterday from Shinjuku to Tobu Nikko Station, but other routes bring you to the other one, the JR Station. The reason that there are two stations so close together (about a five minute walk) is that the Tobu line is privately owned and has its own distinct station.
In most places it would be enough to know which station to use and you might then safely ignore the presence of the other. But if like me you are an admirer of the work of Frank Lloyd Wright you will perhaps want to check out this JR Station even if not using it for your journey, as he designed it. This fact came as something of a surprise to me as I hadn’t been aware that he had done any work in Japan. But what did I know?! It turns out that apart from America, Japan is the only other country where Frank Lloyd Wright ever worked and lived, and he did quite a lot here. But this station doesn’t seem typical of his work here, nor does it look like a style I would associate with him, being rather traditional in appearance (and even having, dare I say, having a little of the suburban twee aesthetic about it?!)
The station opened on 1 August 1890 and is in the typical somewhat romantic style of the Meiji period, though streamlined a little I think by the influence of Wright on that style. It apparently has an ornate and rather beautiful ‘guest room’ used by a former emperor, but this is only open at certain periods. We however contented ourselves with a quick look at the outside of the station, as it had been a long day and we were ready for a break.
Heading back up the main street we stopped for an early evening drink in the Little Wing café and were pleased to find that they served the local pilsner style beer, Nikkoji, as we'd been keen to try it. We found it pleasant enough though not really any different to other Japanese lagers, all of which are very palatable but unremarkable. It was maybe a little less fizzy than some of the others however, so depending on how you like your lager (personally I like a bit of a head) you may want to give this a try. The ones we tried were bottled and I’ve read that the draught is better so that’s something to look out for. You should also look out for the same brewery’s Premium Ale as I’ve read good reviews of that (it wasn’t available in the Little Wing), and I gather that they also sometimes have seasonal brews, such as dark, amber and special ales.
We had a very pleasant half hour or so here, enjoying the beer and a chat with a local guy at the next table, who had lived and worked for some years in California and thus spoke very good English. He was killing time over a coffee while waiting to pick his son up from football practice and was glad of the chance to refresh his English skills in a conversation with us.
But after a while we decided to move on in search of dinner as I’d read that restaurants in Nikko close early, as they cater mainly to the day trippers I assume. This is very true, and we were lucky to find a meal!
Kanaya Hotel Restaurant
The guidebook I was using said that this restaurant was open till 20.00, unlike many in town, so we headed there for an early (for us) dinner at about 18.30, only to be told on arrival that they were about to close. I asked the waitress if she knew of any other restaurant nearby that would still be open, explaining that we were hungry and wanted dinner. She immediately offered to let us eat there after all! But perhaps for this reason, the service was probably the speediest we have ever experienced, with the waitress positively scurrying to take our order and bring us our drinks and food.
We had a table to one side of the attractive old room, which is ornamented with colourful woodcarvings, although the old world atmosphere is somewhat marred by the harsh fluorescent lighting. The menus we were given were in English and offered a choice of set dinners, with the cuisine a blend of Japanese and Western. I had the crab croquettes in a tomato sauce with rice, Chris had the hamburger in ‘Japanese style’ (which proved to be with grated radish on top). The croquettes were quite tasty and Chris’s burger was OK too. The set meal price included a cup of soup (quite nice, with strips of yuba) and a small salad, and we also had a large beer each. But we didn’t try our waitress’s good nature or patience by attempting to order dessert, so after paying the bill we headed back to the Turtle Inn Annexe, as Nikko had clearly shut down for the night (at about 19.30).
There we made sure of another session in the lovely onsen, listening to the river flow past outside – a great way to relax after a very busy day of sightseeing in Nikko.
Shinkyo Bridge at night